Where did you grow up in Sydney?
I grew up in the Hills District and now live in the Northern Beaches.
When did you first learn how to play the piano? Is it true you started your classical journey learning how to play as early as 13 months old?
I’m super lucky that both my parents are musicians, with Mum being an opera singer and Dad a classical guitarist, so music was something they both wanted to introduce to me at the earliest possible point. Mum was still doing recitals while pregnant with me. She then introduced me to singing and pitch, and then colour and letter coordination. Music notation came after, but yes, 13 months old was when it all started.
Your love of music has led you to perform in some amazing places around the world, but many musicians always say how different it is to perform in your hometown. Having performed all around the world in New York, Ibiza, San Francisco, and Mykonos, how does it make you feel when performing in Sydney?
Sydney is home turf, so it’s always nice to play to a home crowd. There are definitely more familiar faces. There’s a realness with Aussie audiences too; there are no pretences per se, so I like that.
What has been one of your most memorable performances in Sydney yet?
The Sydney Opera House is always spectacular to perform at, but in particular in 2012, when I produced my first independent classical crossover album, which I crowd-funded to make happen, with contributors coming to the album launch at the Sydney Opera House. That was a real sense of self-accomplishment, and I look back and see how far I’ve come.